a working artist statement ish…
i write for release and revelation, to push the heavy off, to stay free.
i’m inspired by the various non-monolithic interior lives of Black women.
i’m also inspired by being misunderstood, being spicy in the neuro regions and also by the air around acapellas, the emotional waves from rhythm and repetition
and for certain by art , design, nature
and of course by community codes and vernacular, unmarked roads, never ending fields, country folk.
i write plays like cooking (I don’t cook) not measuring but by feel, taste…intuition.
i acquire flavors, pour over words, syllables, allow them to simmer, marinate ultimately serving up full worlds and imaginings nuff for all.
I write by listening, observing, questioning, not being satisfied, falling into the groove, into space, laughing, tripping into my own silly, digging toes into earth, being alone …prayer
i write to share truth-mine and others. I write to reflect my most authentic self.
I write to poke fun, to dissect to stir things within all of us to do better for ourselves and in turn to do better for humanity.
allergies: fake bammas, talented tenth energy, social media noise, scammers, spammers,
2026
Women’s Work Full Length Lab, New Perspectives Theatre, NYC
New Pages, New Stages Festival, Presented by Theatre Alliance, Studio Theatre DC
Woolly Mammoth Theatre Playwright Group, DC
2025
2025 DC Commission of The Arts Fellowship Recipient , Playwrighting
Woolly Mammoth Theatre Playwright Group, DC
Finalist, AGE Legacy Playwright Grant
Meganne George Women's Work Short Play Festival, New Perspectives Theatre, NYC
Neighborhood Plays Reading Series, AMT THEATER, NYC
Hot House New Play Block Party, Theatre Alliance, DC
2025 SPRING WORKSHOP INTENSIVES, THE WORKSHOP THEATRE, NYC
2025 Cohort, Women’s Work Lab, New Perspectives Theatre, NYC
2024
2024 Finalist The Women’s Work Lab NYC
2024 Finalist for AGE Legacy Playwright Grant
SHAWY’S BLUES 2024 BRED HIP HOP THEATRE FEST DETROIT
Selected for the 2024 International Black Theatre Festival’s GARLAND THOMPSON, SR. READERS’ THEATRE OF NEW WORKS WINSTON SALEM
June Bingham Playwright Commission Finalist SALEM
CHRCH Selected for Capital Fringe 2024 DC
2024 DC Commission of The Arts Fellowship Recipient , THEATRE
CHRCH, A BLACK MUSIC STORY Reading, Kennedy Center Local Theatre Festival
2023
Selected for Congo Square Theatre Festival On the Square Reading Series, CHICAGO
Dramatic Question Theatre Digital Stage Season 2023
Familial Comforts Play Reading, Eaton House, DC
Transom Specials Selection
CHRCH, A Black Music Story Public Reading, DC
CHRCH, A Black Music Story 2023 Pop Conference NYC
2022
Selected for Dramatic Question Theatre’s Playtime Development Workshop
CHRCH: A Black Music Story Kennedy Center Social Impact’s Local Theatre Residency Program from October 17th-21st, 2022.
Testimony: Fear The Kindness 2022 Playwrights Experiment’s Monologue Festival #4 and Anthology. NYC
Finalist for the National Black Theatre’s I Am Soul Playwright Residency, NYC
Finalist AGE LEGACY PLAYWRIGHT GRANT
2021
Finalist in the Playwright Experiment’s Faces of America Monologue Festival, NYC
Selected and participated in the Kennedy Center Playwriting Intensive. DC
Seshat Yon’shea Walker is an artist in resonance, writer and founder.
An experienced creative strategist and serial ideator Seshat founded aSHE Fund, madebyaSHE and Jazz ALL NIGHT DC. She’s also the creator and producer of BeatsNBeans discussion series; executive producer of the documentary short Innersections: Addis Ababa and the future forthcoming The Yung Youfs, a rockumentary.
Seshat’s plays have been presented by New Perspectives Theatre, Detroit Hip Hop Theatre Festival, Capital Fringe Festival and DC Arts Center. Readings have been presented by Woolly Mammoth Theatre, Studio Theatre, AMT Theatre, NYC, Theatre Alliance, DC, Dramatic Question Theatre’s Digital Stage, Pop Conference NYC, Kennedy Center Millennium Stage, Kennedy Center Local Theatre Festival, Two Strikes Theatre Collective, DC Public Library and Anacostia Arts Center.